It may not display this or other websites correctly. Foolishly Traded away? It is also sometimes difficult to identify real Crescendos. . (bottom left to right) 1983 Crescendo 12 'E' speaker cone, 1977 12 A speaker cone, and 100A speaker and cone. Another option is the less expensive 1028K version that is readily available. This served to expand FANEs reputation globally as a pioneering brand with a true passion for innovation in audio. Speaker Recone Kits EV Electro Voice 15 DL15ST DIY Recone Kit F.01U.110.734. By the mid-1980s FANE was probably the most significant professional audio component loudspeaker manufacturer in Europe. Anyone else needs to contact them, just go to the main website. Voice Coil: 2.022 inside diameter, 1.375 form length, .500 windings width, 8 ohms. FANE was established to manufacture commercial loudspeakers for radio and television sets as well as the new hi-fi industry as the new technologies and economy of the post-war era saw a huge expansion in affordable consumer products. Hey, maybe the greater the flux density, the more my chances are of going back in time? The Starfinder is made in the U.K. using Kurt Mueller cones and the magnets are charged on a magnetizer used by the original Fane speaker company. Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets from his 2006 tour with barely visible. (A Fender PRII), Some of the add-ons on this site are powered by. - David Gilmour has used a wide variety of small combo amps (amplifier + speakers in one cabinet), Kits Secret Guitar, Gear, and Music Page. The braided piping on the early Starfinders was gold but changed to silver and red on later production. Each Fane Acoustics guitar loudspeaker driver is individually hand crafted in the UK by a team of highly skilled craftspeople. Without seeing the model number or specs it can be very difficult to identify which is which because Crescendos were not always branded with a Crescendo label. David Gilmour's WEM 4x12 cabinet loaded with Fane Crescendo 100w speakers and Marshall JCM-800 Arthur left the company he had dedicated himself to and the tenure of the Barnes family association with FANE was temporarily ended. 4x12" cabs are overkill for home playing and are really only necessary for large venues. Your purchases help youth music programs get the gear they need to make music. It is named the Starfinder, after the name of the WEM Starfinder speaker cabinets that Gilmour is so much associated with, and the company is named after Rawson Sparfield Ltd, the original builder of those Starfinder cabs, although RS is not affiliated with either original company. There are some speakers models that have parameter specs that are slightly different for the 8ohm version than the 16ohm, but probably not much of an audible difference other than slightly more midrange with the 8ohm version. Any of those will work for the way Gilmour used the amp. There are many cabinet sizes with various speaker sizes and configurations. Sound City is one also WEM but mostly I think Hiwatt when Fane comes up. The flux density and flux capacitor plus going 60 miles per hour makes time travel possible. Note that an amp tech will need to rebias the amp for you when you change tubes, for the best optimal sound. In 1966 a young man by the name of Arthur Barnes joined Fane Acoustics as the press-shop manager. 2015 Fane International Limited. Most were 50w or 70w Fanes with completely different specs. Interesting news about the Crescendo revivalwill they manufacture it the same as it was 45 years ago, or will they try to reproduce the sound that an old and worn-in driver makes? They were also much heavier and used thicker wood than the Hiwatt and Marshall 4x12 cabinets of the time. A well-balanced driver, equally suited to classic rock sounds as it is jazz, heavy metal or punk. Shown above - There were various other versions of Crescendo speakers with different specs, differing 4 and 8 spoke cast metal, Reeves original 75w Vintage Purple speaker made by Eminence, , based on Fane purple backed speakers from the 1970s. Fane branded their stock speakers for Hiwatt, Sound City, and Simms-Watts, but they were usually marked with the same speaker model numbers as the Fane branded versions. The tone is fatter and more mid-scooped than a Crescendo, with tight highs and a modest low end. Little is known about the speakers in David's combo amplifiers, but Phil Taylor revealed in an interview (Feb 2015 Guitarist Magzine) that David also uses Fane Crescendos in his Hiwatt SA212 combo studio amp. I have also seen several counterfeit Crescendos. The tone falls somewhere in between the Crescendo A and Weber FC12. Shown above - Fane Crescendo 100w 12 A speakers from the early and mid 1970s with 122326 ID codes and various spoke label colors. Each performance was recorded on a Boss RC-3 looper and played back through my rig with identical effects and settings, so each performance is identical. Shown above - One of my Fane Crescendo 100w 12 A speakers from 1976 or 1977 with 122326 ID code. Shamara Fane Student at Barstow Community College Whittier, California, United States The unit used a high frequency electrical discharge to produce sound waves by ionising the air in a small quartz tube coupled to a flared horn. They sound harsh for the first few weeks when new, as is the case with most new speakers. The stock amp sounds excellent, but you can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. They had brown solder tags to connect the speaker wires, screwed to the spoke with flat head screws. Oh yes, I remember those. It is perfect with mid-scooped pedals like the Big Muff and B.K. Vintage Bassman amps with the 5F6-A circuit sound very close to the 59 Bassman reissue with blue frame alnicos, but depending on the speakers used, they may sound more overdriven at high volume. FANE became the first manufacturer to produce a speaker capable of handling 100 W and generate sound pressure levels in excess of 100 dB. Privat . Plywood or solid wood cabs are going to be sturdier and last longer than particle board if they get hauled around a lot. The control panel included a fake "ground" switch, to match the look of the original Bassmans. David used a silverface Twin Reverb in the, The Fender 65 Twin Reverb reissue (from 1992 onward) is the one I use for Pink Floyd's. Around 2002-2003 production moved to China and the sound changed again, to something in between the 1980s sound and the more mid scooped 1990s sound. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard Note the aluminum dust caps indicate these are Crescendo 12 'A' type speakers. If all of your buying and selling of guitars has taught you one thing, what is it? In 2018 we celebrate our 60th anniversary as a brand and ten complete years under the Barnes family ownership with a direct link through to the early days of FANE back in 1966. Kits Secret Guitar, Gear, and Music Page Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers Visit the Cemetery . During this period production grew to exceed 50,000 units per week. 16ohm is more efficient for tube amps and 8ohm more efficient for solid state amps. Note the silver dust cap of the Fane Crescendo speaker visible through the grille cloth on the right. It is a tribute to FANE design expertise that other loudspeaker manufacturers, recognising the superiority of the glass fibre coil, replicated the use of this material for their own construction and making it an industry standard. For David's 2006 tour he had three WEM Starfinder 4x12" cabs. Brand New Fane Crescendo 12A 12 Aftermarket Recone Kit. David Gilmour est surtout connu pour son jeu de guitare. Weber FC12 speaker with a Green Russian Big Muff - In Any Tongue solo, Weber FC12 speaker with a BKB 911 Tube Driver - Louder than Words solo, Shown above - Hi-Tone 75w DR-F speaker made by Eminence, based on a Fane purple backed speaker from the 1970s. Plywood or solid wood cabs are going to be sturdier and last longer than particle board if they get hauled around a lot. On the other hand, I like my small open backed Fender combos when playing clean and overdrive because they sound better filling the room. The unique grille cloth was actually made in two layers - a thin front layer that was practically see through, stapled over a black mesh back layer. These are the same sound clips from this page. Your purchases also help protect forests, including trees traditionally used to make instruments. The original Crescendos were 12" 100w, 15" 100w, and 18" 150w models, all available in both 8 ohm and 15-16ohm. I bet they're expensive. Free Shipping. The '59 Bassman is a replica of the original 1959 tweed covered Bassman model 5F6-A combo, a 45w amp with four 10" speakers, and four inputs. LEGENDARY BRITISH LOUDSPEAKER MANUFACTURER FANE ACOUSTICS HAS A RICH HISTORY AND HERITAGE DATING BACK TO THE LATE 50'S Hiwatt, Jennings, Sound City, WEM, VOX and Laney were just some of the well known brands that equipped their cabs with Fane and with them the signature to iconic British tone. The sound is very detailed and cuts straight through in a band mix. Suitable for reproducing both American and British type sounds, its perfect for players seeking vintage rock tones in abundance. FENDER SPEAKERS - David used a 1972-74 era Fender Dual Showman Reverb head with a matching Fender 2x15 inch speaker cabinet in the 1976 recording sessions for Pink Floyd's Wish You Were Here album, along with his Hiwatt/WEM cab, and a Leslie 760 rotary speaker cab. The real breakthrough for the industry, and from FANE specifically, came with Arthur Falkus development, presentation and use of the glass fibre voice coil. Site developed by Edoru. Note that an amp tech will need to rebias the amp for you when you change tubes, for the best optimal sound. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. World-renowned brands of the time such as Carlsbro, Hiwatt, Laney, Orange, Sound City and Vox were just a few of those FANE customers. The same cast metal Fane frame used for the Crescendo was also used for other speakers with various wattages, magnet sizes, speaker cone types, and voice coils. Don't miss out on these ! It also sounds incredibly good with a Big Muff, although there are no known recordings of David using one with a Bassman. All Crescendos do not sound identical, but compared to my originals, the Starfinder is slightly darker with less upper mid range. Im always on the lookout for Crescendo 70s drivers, working or not - for vintage projects. Not exactly the Crescendo sound, but in the same family. They are a perfect speaker to blend with the Hiwatt sound, and out of all of David's gear, the Hiwatt/Crescendo combo could be said to define the core foundational tone heard in most Gilmour performances. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. Arthur would progress through the ranks to become Managing Director and become the driving force behind FANEs most globally successful period of the 1980s. They have the same cast metal frame as the Scholz Classic/Scholz Sugarcone speakers George Scholz used to sell with his Harry Joyce branded Hiwatt amps and speaker cabs. Compared to my original Crescendos, the Crescendo A is slightly brighter, with slightly more treble/upper mids, and slightly less low end. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane in the late 1960s, and throughout the 1970s and '80s. I don't think one is any better than the other, it's just a matter of personal taste. Based on your location, we've changed your settings: Shipping Region: David also used the Twin Reverb/Showman preamp in his rigs, in the form of the Alembic F2-B. Watkins no longer make WEM cabs and they are extremely very rare to find in good condition these days, and even those in poor condition are very expensive. The A90 is the speaker that long-suffering high output compact combos have been waiting for. Many of these were PA speakers and none are the type Gilmour used. Most people do not need a large 4x12 cabinet for home or club gigging, but if you do want a 4x12 cab close to a WEM, there are a few options. Our story begins when founding partners Arthur E. Falkus and Dennis A. Newbold established the FANE brand by combining the first two letters of their respective surnames (FA and NE) to create the name that would form the identity of their new company. Finishing and preparation of the iconic shape Fane speaker chassis. Also note the notches around the mounting screw holes that cut through the frame spokes. The FC in the name stands for Fane Crescendo, and they include the silver dust cap like the original Crescendo, but they really do not sound like a Crescendo. Shown above - Rola Celestion G12/75 from 1976 and the Celestion G12T-75 from 1984, both made in England, Shown above - Rola Celestion G12-100 from 1982, made in England. All rights Reserved. A 1x12" cab or 2x12" (two 12" speakers) is suitable for most home or small venue players. Established in England, 1958. Id look into the new Fane Ascension Series F70/F90s. Sometimes the Celestions were loaded in Marshall JCM-800 4x12"speaker cabinets, like in 1994 and 2001-2005, and sometimes in his WEM cabinets, like in 2006 and 2015. G12-100 (T3058, 15ohm) were made in the Rola Celestion period. Call / Email. Audio Fidelity Group Directors, including Simon Cowell (top left), meet with arthur Barnes in the 1980s. It's a bit brighter and bassier than the 1028P according to Eminence, but not really any better sounding than the stock Jensen speakers already in the Bassman RI. The 1 1/8 " baffle was made in two pieces, consisting of a fixed 3/4" plywood (12 ply) speaker baffle board and a cloth and piping covered 3/8" front baffle board that was screwed to the speaker baffle. Specification Bass Resonance 70 hz Frequency Response 30hz to 16,000hz 2 inch voice coil 100 watts rms 20,000 gauss Motherfuzzer Around 1995 the reissue was re-named '59 Bassman LTD (supposedly for laquered tweed) and several changes were made. T-75s were first made in 1984 and are the most common type of Celestion speaker, so they are very easy to find. The massive magnet and ribbed foil tape make them easy to identify. The PRIME 18XS represents just one of the many new product developments over the past decade of FANE audio engineering, each model carefully considered and engineered to provide an audio advantage for the OEM, excelling and not just performing in the target application. 12-inch, 90 Watt, Alnico, Guitar Loudspeaker. You must log in or register to reply here. One Woofer Has Been Replaced. 2016 Fane International Limited. David used them on the front end of his Yamaha RA-200 rotary speaker cabinets for Pink Floyd's 1977 tour and 1980-81 performances of The Wall, and in his barn and Hove studios. There was a 200w and 400w bass woofer version with a 4" voice coil called a Crescendo Colossus. Reeves Vintage Purple speaker with a Green Russian Big Muff - In Any Tongue solo, Reeves Vintage Purple speaker with a BKB 911 Tube Driver - Louder than Words solo, G12T-75 speakers with vent hole on back made by Celestion in England in the 1980s (left) and the version without the vent hole from the 1990s (middle and right). There are also custom speaker cabinet builders who can build a similar cab (no WEM logo or grille cloth though), like Jeff Swanson of swansoncabinets.com. Thanks for the bump BobbyZ and for all of the contributions. The 15" Crescendos were also sometimes labeled "100A". They are slightly more compressed and have a creamier, warmer, and cleaner sound than the Jensens to my ears. Shown above - 100w Starfinder with aluminum dust cap from Rawson Sparfield, made in the United kingdom. The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. Best suited for use in 1 x 12" and 2 x 12" low- to mid-powered combo amps, the Ascension N30 is an optimal . Frames were coated with a gray hammerite finish but changed to black in the late 1970s-early 1980s. THIS 15" FANE CRESENDO 15B HANDLES A STRONG 400 WATTS AES DELIVERS A CLEAN BASS SOUND IN PORTED CABINETS CAN HANDLE EXTENDED LEVELS OF EXCURSION THANKS TO ITS' SUSPENSION & LONG THROW MOTOR STRONG DIE CAST ALUMINUM BASKET W/ PUSH BUTTON SPRING TERMINALS FOR ALL QUALITY BASS APPLICATIONS WOT'S, UH THE DEAL WITH ALL THE DIFFERENT TWIN REVERBS? Around 1972 a master volume was added, but they were still basically the same design. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. I can't in good conscience sell it as a working Fane Crescendo now anyway. Producing high-quality pro audio loudspeakers. The 65 reissue is basically the blackface/early silverface Twin Reverb circuit architecture with two 12" Jensen C12 speakers. From Ubiquitous. View similar gear from other sellers on Reverb. The launch of Colossus PRIME 18XS saw the arrival of another legendary FANE high power 18-inch drive unit to stand alongside the mighty Colossus 18XB. Similar tone family, but more of a distant relative, and more balanced for a wider variety of music. Please check the fields highlighted in red. Eminence The Governor Redcoat Series 12 inch 75-watt Replacement Guitar Speaker - 8 Ohm. For Telecaster Discussion page Reissue, is the less expensive 1028K version that is readily available he! 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